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In music and dance the tarantella (tarentule, tarentella, tarantelle, tarentelle, tarantel) is a traditional, southern Italian dance of 6/8 or 4/4 time, characterised by the rapid whirling of couples. There are several local variations of this dance, including the widespread Neapolitan (from Naples) and Sicilian varieties, and others including the Apulian and Calabrian tarantellas. This dance is a staple of some old-fashioned Southern Italian weddings. It resembles contra dance in that it is led by a caller (central singer/speaker) and may share similar figures[citation needed]. A tarantella is also a song that can be played by instrumentalists. Sometimes the word used for the song is taranta ("tarantella" is in fact a diminutive dialectal form for "tarantula", a common kind of spider).

The tarantella is named after city of Taranto in southern Italy, and is popularly associated with the large local wolf spider or "tarantula" spider (Lycosa tarantula) whose bite was allegedly deadly and could be cured only by frenetic dancing (see tarantism). One variation of the legend said the dancer must dance the most joyous dance of her life or she would die, another says the dancer will go in to the most joyous dance of her life before she dies. In actual fact the spider\'s venom is not dangerous enough to cause any severe effects. The spiders, far from being aggressive, avoid human contact.

Dancing the tarantella alone was said to be unlucky, and thus it was always a couples dance, involving either a man and a woman, or two women. The tarantella is a circle dance, performed clockwise until the music in the set changes to become faster, after which everyone changes direction. This cycle occurs several times, eventually becoming so fast that it is very difficult to keep up with the beat. The music is generally led by a mandolin.

Contents

Spiders and dance

The tarantella can be traced back to the Middle Ages, and may have evolved from an even older dance. According to legend, an epidemic of tarantula poisonings spread through the town of Taranto. The victims (tarantata) were typically farm women or others whose daily life might reasonably bring them into contact with the kinds of spiders that run in the fields. These supposed victims of spider bites would dance while villagers played mandolins or tambourines. Various rhythms were used until one worked, vigorous dancing ensued, and eventually the tarantata was cured. Many people have suggested that the whole business was a deceit to evade religious proscriptions against dancing. Others state that it was a metaphor regarding female sexual desires and that by dancing frenetically these subsided and avoided problems in an era and area of Europe where sexual freedom wasn\'t particularly encouraged.[citation needed]

Despite some speculative accounts, there are no arachnids known to have hallucinogenic venom. Instances of dancing mania however, have been explained as ergot intoxication, or ergotism, known in the Middle Ages as "St. Anthony\'s Fire" which is caused by eating rye infected with Claviceps purpurea, a small fungus that contains toxic and psychoactive chemicals (alkaloids), including lysergic acid (used in modern times to synthesize LSD). Whether unusual psychological states caused by these or other agents were sometimes mistaken for the effects of spider bites is unknown.

Grand Tarantelle ballet

Main article: Grand Tarantelle

The Balanchine ballet Tarantella is set to Grand Tarantelle for Piano and Orchestra, Op. 67 (ca. 1866) by Louis Moreau Gottschalk, reconstructed and orchestrated by Hershy Kay. The nimble quickness of Tarantella provides a virtuosic showcase. The profusion of steps and the quick changes of direction this brief but explosive pas de deux requires typify the ways in which Balanchine expanded the traditional vocabulary of classical dance.

Instances in other settings and media

  • The tarantella can be heard in the [1] Puma website.
  • It has appeared in feature films such as The Godfather. In The Godfather II, Frankie Pentangeli tries to get the wedding band (who are not Italian) to play a tarantella. They end up playing "Pop Goes the Weasel" instead.
  • A performance of the tarantella was central to the plot of Henrik Ibsen\'s A Doll\'s House.
  • David Popper wrote a piece called "Tarantella" Opus 33 written in 6/8 time with rapid moving notes and graceful yet quick double stops and arpeggios.
  • William Henry Squire wrote a tarantella for cello in D minor.
  • The final movement of Franz Schubert\'s Symphony No. 3 in D, D 200, although not explicitly called so, is a tarantella.
  • Franz Liszt composed a piece called "Tarantella, Venezia e Napoli" (No. 3 from Les Années de Pèlerinage, 2nd Year: Italy), which is in a rapid tempo also in 6/8 time, although nowadays it is commonly misprinted as being in 2/4 time.
  • Frédéric Chopin wrote a piece called "Tarentelle" (Opus 43), which has not only the characteristic 6/8 time signature, but also a very frantic and frenzied arpeggiated left hand part, representing the spinning nature of the dance.
  • Leopold Godowsky transcribed Chopin\'s Etude Op. 10, No. 5 "Black Keys" into an extremely challenging tarentella for the piano.
  • Sergei Rachmaninoff\'s Suite No. 2 for Two Pianos, Op. 17, features an extremely challenging and ferocious Tarantella for its finale.
  • Gioacchino Rossini\'s song "La Danza" is a Neapolitan tarantella.
  • Henryk Wieniawski composed a well-known violin masterpiece, called Scherzo-Tarantella (Op. 16)
  • Pyotr Ilyich Tchaikovsky\'s "Capriccio Italien" ends in a frenzied variation of a tarantella.
  • "Tarantella" is the title of a well-known poem by Hilaire Belloc.
  • "Tarantallegra" is a jinx in Harry Potter books which causes the opponent\'s legs to move rapidly and uncontrollably, hinting that the incantation of this jinx might be based on the tarantella dance. This jinx is first introduced in Harry Potter and the Chamber of Secrets, in the Dueling Club scene. Incidentally, spiders also play a central part in the same book.
  • In 1997 Avantgarde pianist Aki Takasi released her album called: Tarantella.
  • Tom Waits mentions "tarantella" in his song, "Tango \'Till They\'re Sore", but in the context, it seems more likely that he is referring to a song rather than a dance. Interestingly, "Tango \'Till They\'re Sore" is in 6/8 time.
  • It has been used as the theme song of the That\'s Life (2000 TV series) on CBS.
  • The tarantella\'s theme can be heard in the Puppy Love Levels in Earthworm Jim 2.
  • Featured in the 2004 AASCA Music Festival in San Jose, Costa Rica.
  • The 1996 Film "Pizzicata", written and directed by Edoardo Winspeare features the local songs, dances and traditions of Salento in Southern Italy.
  • Stephen Heller composed various Tarantella pieces during his career.
  • Claude Debussy wrote a piece called "Danse (Tarantelle styrienne)."
  • Gogol Bordello\'s album "Super Taranta!" uses Tarantella theme. The song "Santa Marinella" from their Gypsy Punks: Underdog World Strike LP also touches with tarantella edges.
  • The Nickelodeon children\'s cartoon The Backyardigans features tarantella music throughout the "The Legend of the Volcano Sisters" episode in season 2.
  • In the musical Peter Pan with music by Mark "Moose" Charlap, captain hook calls out for his pirates to play a 6/8 tarantella which he leads while he forms a wicked plan.
  • Pablo de Sarasate composed a piece for violin, Introduction and Tarantella.

See also

External links

This article is licensed under the GNU Free Documentation License. It uses material from Wikipedia


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