HOME WEB NEWS IMAGES CLASSIFIEDS YELLOW PAGESPOLLS - SURVEYS WIKI COUNTRIES PHOTOS US UK INDIA
Cities Stocks Weather Movies Coupons Travel Blogs Health Horoscope Maps ASIA EUROPE Classifieds Yellow Pages
 Attorneyiworld.comAttorney | ||
|
bmc cardiovascular, cardiovascular ultrasound cardiac output, shock, mechanical | ||
|
Winesiworld.com wineries, chardonnay, wines and vines | ||
 1
|
| My Fair Lady | |
|---|---|
 Original movie poster | |
| Directed by | George Cukor |
| Produced by | Jack L. Warner |
| Written by | Alan Jay Lerner George Bernard Shaw |
| Starring | Audrey Hepburn Rex Harrison Stanley Holloway Wilfrid Hyde-White Gladys Cooper Jeremy Brett |
| Music by | Frederick Loewe Andre Previn (music supervisor/conductor) |
| Cinematography | Harry Stradling Sr. |
| Editing by | William H. Ziegler |
| Distributed by | Warner Bros. |
| Release date(s) |  United StatesDecember 25, 1964  JapanDecember 26, 1964  United KingdomJanuary 21, 1965  Hong KongApril 22, 1965 |
| Running time | 170 min. |
| Language | English |
| Budget | $17,000,000 |
| All Movie Guide profile | |
| IMDb profile | |
My Fair Lady is an Academy Award-winning 1964 film adaptation of the stage musical, My Fair Lady, based in turn on the play Pygmalion by George Bernard Shaw. The film was directed by George Cukor and stars Audrey Hepburn and Rex Harrison.
Contents |
Henry Higgins (Rex Harrison), an arrogant, irascible professor of phonetics, boasts to a new acquaintance, Colonel Pickering (Wilfrid Hyde-White), that he can teach any woman to speak so "properly" that he could pass her off as a duchess. The person whom he is shown thus teaching is one Eliza Doolittle (Audrey Hepburn), a young woman with a strong Cockney accent who is selling flowers on the street. After overhearing this, Eliza finds her way to the professor\'s house and offers to pay for speech lessons, so that she can work in a flower shop. Pickering is intrigued and wagers that Higgins cannot back up his claim; Higgins takes Eliza on free of charge as a challenge to his skills.
Eliza\'s father, Alfred P. Doolittle (Stanley Holloway), a dustman, arrives three days later, ostensibly to protect his daughter\'s virtue, but in reality simply to extract some money from Higgins, and is bought off with £5. Higgins is impressed by the man\'s genuineness, natural gift for language and especially his brazen lack of morals (Doolittle explains, "Can\'t afford \'em!").
Eliza goes through many forms of speech training, such as speaking with marbles in her mouth and trying to recite the sentence "In Hertford, Hereford, Hampshire, hurricanes hardly ever happen" without dropping the \'h\', and to say "The rain in Spain stays mainly in the plain" rather than "The rine in spine sties minely in the pline". At first, she makes no progress (due to Higgins\'s harsh approach to teaching), but just as she, Higgins, and Pickering are exhausted and about to give up, Higgins softens his attitude and gives an eloquent speech about the beauty and history behind the English language. Eliza tries one more time and finally "gets it"; she instantly begins to speak with an impeccable upper class accent.
Higgins takes her on her first public appearance to Ascot Racecourse, where she makes a good impression with her stilted, but genteel manners, only to shock everyone by a sudden and vulgar lapse into Cockney; "C\'mon Dover, move your bloomin\' arse!". Higgins, who dislikes the pretentiousness of the upper class, partly conceals a grin behind his hand, as if to say "I wish I had said that!"
The bet is won when Eliza successfully poses as a mysterious lady of patently noble rank at an embassy ball, despite the unexpected presence of a Hungarian phonetics expert trained by Higgins. Higgins\'s callous treatment of Eliza afterwards, especially his indifference to her future prospects, leads her to walk out on him, leaving him mystified by her ingratitude. When she is gone however, he comes to the horrified realization that he has "grown accustomed to her face". Putting aside his resentment about the intrusion on his life and toward women in general, Higgins finds Eliza the next day and attempts to talk her into coming back to him. During a testy exchange, Higgins\' ego gets the better of him, and his former student rejects him.
Higgins makes his way home, stubbornly predicting that Eliza will be ruined without him and come crawling back. However, his bravado collapses and he is reduced to playing old phonograph recordings of her voice lessons. To Higgins\' great delight, Eliza chooses that moment to return to him. The last words are from Higgins: "Eliza.. where the devil are my slippers?" This differs from the original play\'s resolution (see Pygmalion ending).
|
|
This section does not cite any references or sources. (February 2007) Please improve this section by adding citations to reliable sources. Unverifiable material may be challenged and removed. |
It was never assumed that the lead role in the film would go to Julie Andrews, who had played Eliza in the stage version to great critical acclaim. Audrey Hepburn was cast instead (despite lobbying from screenwriter Alan Jay Lerner), because Jack Warner of Warner Brothers wanted a box office star, and at the time Andrews was an untested screen presence. Elizabeth Taylor reportedly fought long and hard for the role as well. The casting controversy did little to hurt Hepburn\'s career. Andrews\' subsequent Academy Award for Mary Poppins - and the lack of a nomination for Hepburn - was seen by many as vindication for Julie Andrews, though both actresses denied that there was ever any animosity between them. Years later, when Warner Bros. offered Andrews the role of Guinevere in the film adaptation of the Lerner & Lowe musical Camelot (which she also originated to great acclaim on Broadway), Andrews asked for a cool $7 million, and as a consequence, politely declined the offer. Vanessa Redgrave took the role, although she was quoted as saying that, had Julie Andrews wanted to play the role, she certainly would have.
Hepburn\'s singing was judged inadequate, however, and she was dubbed by Marni Nixon. Some of Hepburn\'s original vocal performances for the film was released in the 1990s, affording fans of the actress an opportunity to judge whether the dubbing was necessary. Less well known is the dubbing of Jeremy Brett\'s songs (as Freddy) by Bill ShirleyBill Shirley at the Internet Movie Database.
No dubbing was done for Rex Harrison, even though his singing voice was closer to speaking on pitch and rhythm than to true singing. In addition, the actor declined to pre-record his musical numbers for the film, explaining that he had never sung the songs the same way twice and thus couldn\'t convincingly lip-sync to a playback during filming (as musical stars had been doing in Hollywood since the dawn of talking pictures). In order to permit Harrison to sing his songs live during filming, the Warner Bros. Studio Sound Department, under the direction of George Groves, implanted a wireless microphone in Harrison\'s neckties, marking the first time in film history that one was used to record sound during filming. André Previn then conducted the final version of the music to the voice recording. The sound department earned an Academy Award for its efforts.
The head of CBS put up the money for the original Broadway production in exchange for the rights to the cast album (through Columbia Records). When Warner bought the film rights in February 1962 for the then-unprecedented sum of $5 million, it was agreed that the rights to the film would revert to CBS seven years after its release.
Warner owned the film\'s original copyright, but it was renewed by CBS due to the 1972 rights reversion. Currently, Warner owns the DVD rights to the film (under license from CBS), while CBS Television Distribution owns the television rights, this makes My Fair Lady the only theatrical film whose ancillary rights are owned by CBS that is not distributed by CBS Home Entertainment.
A VHS release by Paramount Pictures in 2001 is currently out of print.
Act One
Act Two
| Academy Awards record | |
|---|---|
| 1. Best Actor, Rex Harrison | |
| 2. Best Art Direction, Gene Allen, Cecil Beaton, George James Hopkins | |
| 3. Best Cimematography, Harry Stradling Sr. | |
| 4. Best Costume Design, Cecil Beaton | |
| 5. Best Director, George Cukor | |
| 6. Best Original Score, André Previn | |
| 7. Best Picture, Jack L. Warner | |
| 8. Best Sound, George Groves | |
| Golden Globe Awards record | |
| 1. Best Motion Picture - Musical or Comedy | |
| 2. Best Actor - Musical or Comedy, Rex Harrison | |
| 3. Best Director, George Cukor | |
| BAFTA Awards record | |
| 1. Best Film from any Source, George Cukor | |
Wins:
Nominations:
My Fair Lady also won the BAFTA Best Film.
It ranks at #91 on the American Film Institute list of the greatest American movies of all time and in 2006 it ranked #8 on their list of best musicals.
By the 1990s, the original film elements had fallen into disrepair from heavy printing and there was fear of total deterioration. Film restorers Robert A. Harris and James C. Katz, in conjunction with 20th Century Fox (whose home video division previously held the rights to the CBS library including My Fair Lady), were brought in to save the film. They succeeded in preserving the film\'s image quality for future generations. A 30th anniversary re-issue in 1994 by Fox reinforced the film\'s popularity.
In 1995 Fox executives gave animation directors/producers Don Bluth and Gary Goldman, then newly appointed as the creative heads of Fox Animation Studios, the choice between creating an animated re-make of either My Fair Lady or the 1956 Fox film Anastasia. Bluth and Goldman chose to make the animated film Anastasia, which became the highest-grossing non-Disney animated film in 1997.
Wikiquote has a collection of quotations related to:
| Awards | ||
|---|---|---|
| Preceded by Tom Jones | Academy Award for Best Picture 1964 | Succeeded by The Sound of Music |
| Preceded by Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | BAFTA Award for Best Film from any Source 1965 | Succeeded by Who\'s Afraid of Virginia Woolf? |
| Academy Award for Best Picture |
|---|
West Side Story (1961) · Lawrence of Arabia (1962) · Tom Jones (1963) · My Fair Lady (1964) · The Sound of Music (1965) · A Man for All Seasons (1966) · In the Heat of the Night (1967) · Oliver! (1968) · Midnight Cowboy (1969) · Patton (1970) · The French Connection (1971) · The Godfather (1972) · The Sting (1973) · The Godfather Part II (1974) · One Flew Over the Cuckoo\'s Nest (1975) · Rocky (1976) · Annie Hall (1977) · The Deer Hunter (1978) · Kramer vs. Kramer (1979) · Ordinary People (1980) · Complete List · (1928–1940) · (1941–1960) · (1961–1980) · (1981–2000) · (2001–present) |
This article is licensed under the GNU Free Documentation License. It uses material from Wikipedia
