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| Foolish Wives | |
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 DVD Cover | |
| Directed by | Erich von Stroheim |
| Produced by | Irving Thalberg Carl Laemmle |
| Written by | Erich von Stroheim |
| Starring | Erich von Stroheim Miss DuPont Maude George |
| Music by | Sigmund Romberg |
| Cinematography | William H. Daniels Ben F. Reynolds |
| Editing by | Arthur Ripley |
| Distributed by | Universal Studios |
| Release date(s) | January 11 1922 |
| Running time | 117 minutes (original) 143 minutes (DVD release) |
| Country | United States |
| Language | Silent film English intertitles |
| All Movie Guide profile | |
| IMDb profile | |
Foolish Wives (1922) is an American drama silent film written and directed by Erich von Stroheim. Although not credited on the screen, the motion picture was produced by Irving Thalberg, who would go on to become one of the sharpest studio heads of all time at Metro-Goldwyn-Mayer. The drama features von Stroheim, Rudolph Christians, Miss DuPont, Maude George, and others.Foolish Wives at the Internet Movie Database.
When released in 1922, the film was the most expensive film made at that time. Originally, von Stroheim intended for the film to run anywhere between 6 and 10 hours, but the studio heads were quite opposed to his idea, as such, they cut the final product drastically before the release date.Gonzalez, Ed. Slant Magazine, film review, 2004. Last accessed: February 19 2008.
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The silent drama tells the story of a man who names himself Count Wladislaw Sergius Karamzin (von Stroheim) in order to seduce rich women and extort money from them, especially those who are ignorant enough to let themselves be seduced by him.
He has set up shop in Monte Carlo and his partners in crime are his cousins: faux-Princess Vera Petchnikoff (Busch) and faux-Her Highness Olga Petchnikoff (George).
Count Karamzin begins his latest scam on the wife of an American envoy, Helen Hughes (George), even though her husband is near by.
The film began director von Stroheim\'s reputation as a "manic perfectionist," a huge money spender, and as a director that needed to be brought under control. During filming, the costs for the film soared. While the budget was slated at $250,000, according to von Stroheim, it ended at $750,000. At the end, Universal Studio, estimated the costs at $1,225,000. During the production, Carl Laemmle, the head of Universal, appointed 20-year-old Irving Thalberg as head of the studio. Right away the new studio chief started clashing with von Stroheim, whom he considered a spendthrift.Ciment, Michel. Film References, film analysis, 2008.
The producers had censorship problems with the New York Motion Picture Censorship Commission. Not only did the Commission order specific cuts in the film, but they requested that all advertising be submitted for their review. Carl Laemmle denied to the press that they complied with any specific request from the Commission. Instead, he said the cuts were made due to the film\'s excessive length.The New York Times. Article, "Change, Foolish Wives," January 19 1922. Last accessed: February 19, 2008.
Actor Rudolph Christians died on February 7 1921 from pneumonia during production, and his part was taken over by Robert Edeson. Edeson only showed his back to the camera so as not to clash with shot footage of Christians that was still to be used in the completed film.Rudolph Christians at the Internet Movie Database.
When released, the staff at Variety magazine, in their review of the film, concentrated on the film\'s expensive costs and von Stroheim involvement. They wrote, "According to the Universal\'s press department, the picture cost $1,103,736.38; was 11 months and six days in filming; six months in assembling and editing; consumed 320,000 feet of negative, and employed as many as 15,000 extras for atmosphere. Foolish Wives shows the cost - in the sets, beautiful backgrounds and massive interiors that carry a complete suggestion of the atmosphere of Monte Carlo, the locale of the story. And the sets, together with a thoroughly capable cast, are about all the picture has for all the heavy dough expended. Obviously intended to be a sensational sex melodrama, Foolish Wives is at the same time frankly salacious...Erich von Stroheim wrote the script, directed, and is the featured player. He\'s all over the lot every minute."Variety. Film reviews, 1922. Last accessed: February 19 2008.
More recently, film critic Ed Gonzalez discussed the film and wrote, "1922\'s Foolish Wives begins with the perfect iris shot. This is no ordinary \'fade into\' effect, but an entrancing reinforcement of the sinister, insular and constrictive nature of the milieu Von Stroheim is about to introduce us to...At the time of its release, Foolish Wives was the most expensive film ever produced, and though Von Stroheim was widely considered a lavish spendthrift, his films remain triumphs of period detail."Gonzalez, Ed. ibid.
Critic Keith Phipps wrote of the film, "Foolish Wives re-creates Monte Carlo in a Hollywood back lot...Playing a fraudulent aristocrat, in a touch that echoed his own biography, Von Stroheim dupes the gullible, lusts after a retarded teenager, and attempts to undo an innocent American. It\'s like a Henry James novel as dreamt by a pornographer, and it illustrates what makes Von Stroheim such a problematic genius: Is it nascent post-modernism or egotism run amok that made him prominently feature a character reading a novel called Foolish Wives, credited to Erich Von Stroheim?"Phipps, Keith. The A.V. Club, film CD/film review, July 8 2003. Last accessed: February 19, 2008.
 American films of the 1920s |
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